3D Website Examples: 10 Sites Worth Studying in 2026
10 3D website examples from NASA, Apple, Stripe, Vercel, Shopify and our own studio, and the one test that decides whether 3D is worth its load time.
Most recent 3D Website Project
A 3D website renders objects or scenes in three dimensions in the browser, usually with WebGL through a library such as Three.js, or plays pre-rendered 3D as video. The 10 examples below were all checked live in November 2026. 8 are from other companies and 2 are our own builds, and each one is here because its 3D shows the buyer something a photograph could not.
What are the best 3D website examples in 2026?
1. NASA Eyes on the Solar System
Eyes on the Solar System is a real-time model of the solar system that runs in the browser. The planets and spacecraft sit where they are today, the clock runs live, and featured missions such as Voyager and Psyche open as stories you fly into. It is the clearest case for 3D on this list: nobody can photograph the whole solar system, so the model is the only way to show it.

2. Igloo Inc
Igloo Inc builds its entire site as one 3D scene: an igloo of glowing ice blocks in a snowfield, explored by scrolling, with sound on by default. There is almost no conventional page. It works because the company is selling a sensibility rather than a specification, and it would fail for a buyer who arrived looking for a price.

3. Stripe
Stripe uses a WebGL canvas for the moving colour gradient behind its homepage headline. The 3D is restrained: it gives the page depth and motion, and the copy, the customer logos and the call to action sit on top of it untouched. Most B2B companies should copy this level of 3D, not the levels above it.

4. Vercel
Vercel renders a single 3D prism next to its headline. One object, one colour, no scene. It turns the brand mark into something with weight without slowing down the reader, who is there for the product, the pricing and the docs.

5. Shopify Editions
Shopify Editions shows every past release as a cover on a 3D shelf. A list of release notes becomes an archive you browse like a bookcase. It suits a page whose job is to make many product updates feel like a body of work.

6. Spline
Spline is a browser tool for making 3D for the web, and its homepage runs a live demo of the editor building a 3D scene. When the product is a 3D tool, the website is the demo. Spline is also the fastest route for a marketing team that wants one 3D object on a page without a WebGL developer.

7. Apple AirPods Pro
The AirPods Pro page turns and opens the product as you scroll. When we checked, the page loaded 16 videos and no WebGL canvas: the 3D is rendered in advance and played back, not drawn live. That is the right call for a product page that has to look perfect on every phone.

8. Apple Vision Pro
The Vision Pro page uses the same approach at a larger scale, with 26 videos when we checked. It has to explain a product most visitors have never worn, so the renders show the hardware from angles a buyer could not see in a shop.

9. Armory (our work)
Armory builds counter-drone systems for defence, a category where the conventional advice is that you do not need a website at all. They took the opposite view, and treated the marketing surface as seriously as the product. The 3D work here is not decorative. When a buyer cannot be shown the deployed system and cannot be given a demo, a rendered environment is the only way to make the capability legible before a meeting.

10. WowFactories (our work)
WowFactories, delivered with Everything Flow, our Webflow development studio. The 3D sits at the point in the page where a buyer would otherwise have to imagine the product, and nowhere else.

The client testimonial is here deliberately, because the most common objection to this kind of build is not aesthetic but operational: will it break, will it be slow, and will anyone be able to edit it afterwards. A client describing the finished engagement answers that better than we can.
When is 3D worth the performance cost?
When the product cannot be photographed. That is close to the whole rule. A 3D scene costs load time, build time and a maintenance burden most teams underestimate, so it has to buy something a photograph could not. Hardware that does not exist yet, systems deployed somewhere a camera cannot go, or spatial relationships a diagram flattens are all fair reasons. Wanting the site to feel modern is not, and the performance penalty will show up in Core Web Vitals whether or not the effect impressed anyone.
Real-time 3D or pre-rendered video?
Use real-time 3D when the visitor needs to move or change something: a model of space, a configurator, a scene to explore. Use pre-rendered video when the visitor only needs to watch, as on both Apple pages above. Video looks the same on every device and is cheaper to build. Real-time 3D lets the visitor act, and costs more on weak phones.
Where should 3D go on a B2B website?
At the one point in the page where a buyer would otherwise have to imagine something, and nowhere else. Used sparingly it reads as capability. Used throughout it reads as a portfolio piece, and it slows the page down for every visitor who came to read the pricing. Stripe and Vercel show the restrained version, and Igloo Inc shows the version that only works when the brand is the product.
Our 3D showreel
Building a high-impact website for a B2B tech or SaaS company? See how our B2B web design agency builds conversion-focused Webflow websites for enterprise and software brands. We also specialise in software company website design for B2B growth teams, and in scroll animation for websites.

